Four Preludes by Carl Sandberg

I had the opportunity today to hear Michael Tilson Thomas lead the LA Philharmonic in his own Four Preludes on Playthings of the Wind (2003; 2016), a powerful 30 minute piece.  It is a setting of Carl Sandburg’s 1922 poem of the same name. I haven’t found a link to Thomas’s piece online, but here is the Sandberg poem.  You might find it of interest.

Four Preludes on Playthings of the Wind

Carl Sandburg, 18781967

The past is a bucket of ashes.

1

The woman named Tomorrow  
sits with a hairpin in her teeth  
and takes her time  
and does her hair the way she wants it  
and fastens at last the last braid and coil 
and puts the hairpin where it belongs  
and turns and drawls: Well, what of it?  
My grandmother, Yesterday, is gone.  
What of it? Let the dead be dead.  
  
 
2

The doors were cedar
and the panels strips of gold  
and the girls were golden girls  
and the panels read and the girls chanted:  
  We are the greatest city,  
  the greatest nation:
  nothing like us ever was.  
   
The doors are twisted on broken hinges.  
Sheets of rain swish through on the wind  
  where the golden girls ran and the panels read:  
  We are the greatest city,
  the greatest nation,  
  nothing like us ever was.  
   

3

It has happened before.  
Strong men put up a city and got  
  a nation together,
And paid singers to sing and women  
  to warble: We are the greatest city,  
    the greatest nation,  
    nothing like us ever was.  
   
And while the singers sang
and the strong men listened  
and paid the singers well  
and felt good about it all,  
  there were rats and lizards who listened  
  … and the only listeners left now
  … are … the rats … and the lizards.  
   
And there are black crows  
crying, “Caw, caw,"  
bringing mud and sticks  
building a nest
over the words carved  
on the doors where the panels were cedar  
and the strips on the panels were gold  
and the golden girls came singing:  
  We are the greatest city,
  the greatest nation:  
  nothing like us ever was.  
   
The only singers now are crows crying, “Caw, caw,"  
And the sheets of rain whine in the wind and doorways.  
And the only listeners now are … the rats … and the lizards.
   

4

The feet of the rats  
scribble on the door sills;  
the hieroglyphs of the rat footprints  
chatter the pedigrees of the rats  
and babble of the blood
and gabble of the breed  
of the grandfathers and the great-grandfathers  
of the rats.  
   
And the wind shifts  
and the dust on a door sill shifts
and even the writing of the rat footprints  
tells us nothing, nothing at all  
about the greatest city, the greatest nation  
where the strong men listened  
and the women warbled: Nothing like us ever was.

 

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